One shoot day. A season of content.
The feed needs posting and the ad account needs new creative, and both have to look like the brand. A day on location with our crew covers them both, with the stills library on the end of it. Made in-house, planned against what the footage has to do once it's cut, for the businesses whose marketing we run and for anyone who books a day.
Mira showcase reel · 31s
Brands we work with
Cinematic brand films.
Showrooms and product, filmed and graded so the brand on screen matches the brand in the room. The anchor a season of social gets cut from. Films like these come out of a booked shoot day, planned around what the footage has to do once it's cut.
Creator-style ads.
Talking heads, unboxings, product in hand. It reads like a person talking rather than an advert, which is why it survives in a feed. Usually made for clients already running paid social with us, so the footage is briefed against the tests the account is about to run rather than shot on spec.
Social-first edits.
Launch reveals, animated moodboards and hook-led cuts, sized for Reels and TikTok. The first second has to earn the rest of the video, so that's where the edit starts. One shoot day, cut into enough posts to keep a feed running for weeks.
Founder interviews.
The people behind the brand, on camera. One sit-down becomes a month of clips: the long answer for a buyer doing their research, short cuts for the feed. Filmed on a shoot day, usually alongside whatever else we're shooting while the crew and the kit are already with you.
Events.
Talks and launches covered on the day, then cut into a film that outlives the event. Planned around your running order rather than a shot list written weeks before anyone turns up.
The people making the ads are the people running them.
Most creative gets briefed to a freelancer, made in a vacuum, and handed over to whoever runs the account. Ours is made by the team that sees the results, so the next batch is briefed from what the last one did. And the reason feeds go quiet isn't laziness. It's running out of things to post. A shoot day is the fix for that, planned so it fills the calendar rather than the hard drive.
Ways to work with us.
- 01
Book a shoot day
A day with our crew gets you video and stills in one visit. We plan what we're shooting beforehand, against the pieces you actually need, so the morning isn't spent working out the list. Scoped as its own project: a 20-minute call, then a written scope of what the day covers.
- 02
As part of paid social
If we run your paid social, the content is made here and briefed against what the account is testing. The footage exists because a campaign needs it, which is a different thing from filming first and finding a use later. It's part of the monthly plan, sized to what you spend on ads.
- 03
As part of social media management
One shoot day can carry a month of posts. We plan it that way on purpose, shooting in batches so there's always something for the feed while everyone in your business gets on with their week.
- 04
Photography on its own
If what you need is a set of product or team shots, tell us what needs photographing and we'll scope the day.
Photography from the same day.
Every shoot has a stills library on the end of it. The set's already built and the products are already styled, so the photography doesn't need a day of its own.
Content with a job to do.
If your feed's gone quiet, or your ads are running on last year's assets, this is the fix. Tell us the product and who's buying it; we'll bring the cameras.